Jan. 8 2014 12:14 PM

Overloaded musical tops our coverage of local plays

Natalie Nucci (center) stands out in Anything Goes.
Photo by Ken Jacques

This makes two interminable shipboard romances. First, Titanic, that cinematic slog-fest that unfortunately boosted the careers of James Cameron and Celine Dion. Now, Anything Goes, the 80-year-old Broadway musical that seems to go on almost that long at the Welk Resort Theatre.

If Anything Goes were a jukebox musical composed of nothing but the songs of Cole Porter— "Anything Goes," "You're the Top," "I Get a Kick Out of You," "It's De-Lovely," "Friendship"—it would be a pleasant couple hours of tuneful nostalgia. But the book, in spite of the considerable talents of P.G. Wodehouse, Guy Bolton, Howard Lindsay and Russel Crouse, is as hackneyed as discarded vaudeville skits. The large Welk cast directed by Ray Limon does its best to inhabit all the overdrawn characters, but the onstage antics, mugging and rim-shot double entendres are so relentless that the production quickly becomes a real wristwatch-checker.

Most of the characters are saddled with cartoon characterizations, but the performers proceed gamely in spite of it. Josh Carr and Rachel Davis portray shipboard lovers Billy and Hope, but the signature performance is delivered by Natalie Nucci in the show's highest-profile role, one made famous on Broadway by Ethel Merman. Nucci's evangelist / cabaret singer Reno Sweeney is smart, sassy and sexy. She handles Anything Goes' comedy with just the right wink-wink attitude, and her singing, while not Merman-esque, is still delovely. When the shipboard stage is crowded—and it often is—Nucci's the one you're watching.

Anything certainly goes with Shaun Leslie Thomas' turn as gangster Moonface Martin and RC Sands' veddy British Lord Evelyn Oakleigh. We're talking free-for-all time. At least they, like the ensemble as a whole, can dance. Director Limon's choreography shines most at the end of Act 1, which closes with a fancy-stepping rendition of the show's title tune.

It's no bulletin that Billy and Hope end up together at the end, though the Chinese men-in-disguise gambit that makes it happen is nearly as squirm-worthy as Mickey Rooney's Mr. Yunioshi in Breakfast at Tiffany's. Cultural-insensitivity-induced laughter? Hey, anything goes.

Anything Goes runs through March 23 at the Welk Resort Theatre in Escondido. $36-$66. welkresorts.com

Write to davidc@sdcitybeat.com and editor@sdcitybeat.com.


Bug: A motel-dwelling cocktail waitress begins an affair with a war veteran and takes on his conspiracy theories. Presented by Ion Theatre Company, it opens in previews on Jan. 11 at BLKBOX Theatre in Hillcrest. iontheatre.com

Fiddler on the Roof: A milkman tries to keep his family's traditions in place and marry off his three daughters as the Russian Revolution threatens to gain steam. Presented by Lamb's Players Theatre, it opens Jan. 10 at the Lyceum Theatre at Horton Plaza, Downtown. lambsplayers.com

Who Am I This Time? (And Other Conundrums of Love): Three love stories adapted from the early work of author Kurt Vonnegut. Opens in previews on Jan. 8 at North Coast Repertory Theatre in Solana Beach. northcoastrep.org

Now playing

Beauty and the Beast: A jerkface prince is turned into an awful-looking creature, and the only way he can reverse it is to claim the heart of a woman using only a newfound winning personality. Presented by Broadway San Diego, it runs through Jan. 12 at the Civic Theatre, Downtown. broadwaysd.com

In the Time of the Butterflies: The true story of four sisters who challenged Dominican dictator Generalissmo Rafael Trujillo in 1960. Presented by San Diego Repertory Theatre, it runs through Jan. 26 at the Lyceum Theatre at Horton Plaza, Downtown. sdrep.org

Crime Pays: A radio game show with dastardly overtones, served up with dinner, is presented by Mystery Cafe at Imperial House restaurant in Bankers Hill. mysterycafe.net


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